HASSLER CANTATE DOMINO PDF

This setting of Hans Leo Hassler’s motet “Cantate Domino” is an exuberant four’ part treatment of the traditional Catholic Introitus for the Fourth Sunday after. Cantate Domino. composer. Hans Leo Hassler (). author of text. Bible Dixi: confitebor adversum me iniustitiam meam Domino; et tu remisisti. Buy Cantate Domino (SATB) by Hans Leo Hassler/a at Choral Sheet Music. Hasslers masterwork of the 16th century is a standard on many.

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Cantate Domino a 4 (Hans Leo Hassler)

This page was last edited on 6 Decemberat Brian Marble submitted Since all voice parts are of equal importance, conductors should strive to achieve a good balance between all four parts.

In this edition a short excerpt from the opening of the monophonic chant precedes Hassler’s motet. Note values halved, transposed up a major second TTBB. Singing the chant in this manner also provides an interesting musical contrast with the more articulate polyphonic motet. Clamaverunt Justi Ivo Antognini. While a beautiful tone quality is important, employing an overly legato approach should be avoided.

Cantate Domino Alec Schumacker. Angele Dei Ivo Antognini. Search Go to catalog The metric transition in measure 14 from duple to triple time is also editorial.

Alliance Music Publications Inc. – Cantate Domino a 4

Though Hassler was a Protestant, he spent much of his creative life in the service of German patrons who were Catholic. O quam suavis est Ivo Antognini. Hassler’s motet should be performed with vitality and attention to natural word stress.

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Click here to see a sample. Aristotle Aure Esguerra submitted Transcribed from original print Tenor part from reprintMensurstrich layout, original key signature and note values, clefs modernized, musica ficta clearly marked CPDL Measure 23 is a good example of how a new line of text might suggest a hqssler in dynamics. Letter, 4 hasser, Transposed up a major sixth SATB. Sing to the Lord a new song, sing to the Lord all the earth and bless his name.

A beautiful, unified, legato tone quality, with attention to the rise and fall of the melodic line arsis and thesisshould be important rehearsal goals.

Marco Gallo submitted Ehre sei seinem hochheiligen Namen! Web page content is available under the CPDL copyright license ; please see individual editions for their copyright terms. MusicXML source file is in compressed. The editorial brackets indicate moments where syllabic stress and nuance supersede metric stress. All dynamic markings hassoer editorial and are included simply as suggestions, although it is recommended that some dynamic variation be utilized.

The Mistletoe Seth Burk. Original note values and pitch. In these places, the first note of each editorial bracket should be given a slight stress corresponding the textural nuance of the sung word. Cantate Domino 4 voices Composer: Home News Composers Catalog Order.

Proclaim his promise of salvation from day to day. In this editor’s opinion, Hassler implies that the tactus should remain the same throughout both meters by writing a hemiola cadence in measures where the triple meter transitions back to duple. The key cantage been transposed up one whole step. Abel Di Marco submitted Click here to listen to a recording MP3.

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Rafael Ornes submitted dokino II Carl Proske abgedruckt.

Cantate Domino (Hassler, Hans Leo) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music

Retrieved from ” https: Proske nennt als seine Quelle die Sacri Concentus 4, 5, 6, 7, 8, 9, 10 et 12 Voc. A student of the influential Venetian composer, Andrea Gabrieli Giovanni Gabrieli’s uncleHassler is credited with bringing the expressive and colorful musical style of the Italian Renaissance to Germany.

All the note values in this edition have been halved from the original. Views Read View source View history. And Sure Stars Shining Z.

Note values halved, transposed up a perfect fifth SATB. Including the chant in performance is completely optional, but is included here as a means of giving male choruses an opportunity to experience singing a unison passage of chant within the context of a concert setting.

Hans Leo Hassler Source of text: This Grass Jacob Narverud.

The entire chant may be found in the Liber usualis. Hassler composed both sacred and secular vocal and instrumental music, but is today probably best known for his masses, motets, and German songs.

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